When offered to review the Black Cat cable, andagain just before I was sent enough of their interconnect and speaker cable torewire my entire system, I warned Chris Sommovigo. I let him know that I justfinished a reviewof the very impressive Accusound's XD interconnect, Digital Link, and XDloudspeaker cables. These cables are on average seven to eight times theprice of the Black Cat cables that I was being offered to review. I told Christhat I was willing to try his brand of cables, as long as he didn't get tooupset if I said in my review that I wasn't blown away by the Black Cat cableswhen compared to the more expensive wires. He agreed. Power wizard 1.0 wiring diagram user manual. So, when the Black Catcables arrived, out came the older cables, and in went the Black Cat. I ran aone meter balanced interconnect between my reference PassLaboratories X350.5 power amplifier, and the preamplifier I wascurrently using, an extremely transparent, full-function MarkLevinson No 523 preamplifier.

Although, I wasn't using the fine phonopreamplifier in this component, instead using my PassLabs XP-15 phono preamp, snaking an unbalanced RCA interconnect betweenit and the Levinson. I didn't need to run a cable from my turntable set-up tothe phono preamp because my Tri-Planar 6 tonearm is hard-wired with its ownunbalanced RCA-terminated interconnect. It is now using an Urushi EtsuroBordeaux phono cartridge (review forthcoming) that in turn is mounted on a BasisDebut V turntable. I ran a 1.5-meter balanced interconnect between an EMM LabsDA2 digital-to-analog converter to an input on the preamp. I installed betweenthe power amp and a pair of SoundLab Majestic 545 full-range electrostatic speakers a four-meter pair of3202 speaker cables. The speaker's low-end was augmented with a pair of SVSSB16-Ultra 16' 1500-Watt subwoofers (review forthcoming) which have recentlyreplaced my Velodyne 15' 1250-Watt subs. I didn't bother requesting a four-meterpair of cables for the subs. Maybe next time.

The Black Cat cables were not broken in prior totheir arrival in my system, so I tried not to be too judgmental about theirsound. Especially since Enjoy The Music,.com recently published a reviewof the much more expensive cables. But you know what? Even before the Black Catcables were fully broken in, they sounded very good. More than very good! Infact, I was very impressed with their sound. I was proud of myself, because onceI thought the cables were fully broken in, I took the time to replace the moreexpensive cables that were previously in my system, and after a whilere-replaced the Black Cat cables one by one, to see how each contributed to theoverall sound.

At first, I thought the 3232 speaker cables werethe most impressive of the bunch. I felt as if they were a bit more transparentthan the Black Cat interconnects and the digital cables. I'm not saying that Ithink the others aren't transparent. They are, but I was struck by the amount oftransparency that the Black Cat speaker cables presented with certain material.As time went on and I started to discover more positive traits of the cables, Ithought that these interconnects sounded pretty darn good, too, especiallyconsidering the price discrepancy between the two brands of cables. And so, Istarted my evaluation over. I was starting to become accustomed to the sound ofthe new cables in my system. After hearing the more expensive cables again andre-installing the Black Cat cables, again, I became surer of myconclusions: there was a difference between the more expensive cables andthe Black Cat cables, but there wasn't nearly as big of a difference intheir sound as I would have expected. And certainly not as big a difference astheir price would indicate.

During the Black Cat cable's review period Ilistened to many different types of music, sourced both digitally and from myanalog front-end. The takeaway was that Chris Sommovigo's description of hiscables having an 'effortless' quality when it comes to sound reproduction isspot on. I hope I'm not accused of using this term instead of coining my own todescribe what I heard. The term 'effortless' has been used before, especiallywhen describing a signal that remains undistorted during loud passages. But theBlack Cat cable went further. This might be a bit of an over-simplification, butthis trait resulted in not allowing any of the frequencies that they reproducedto draw attention to themselves, which can distract the listener from the otherfrequencies. This was especially true of the midrange frequencies, acharacteristic which may not impress some as much as hearing a super-extendedbass or treble, but this is where the majority of the music lives. Andtherefore, it became easier to focus on those frequencies, as well as the restof the music.

Classical pieces were an excellent way to spendtime luxuriating in this midrange, and just about every other sonic trait, so Iplayed some of my favorite classical albums during this period. One of thestandouts was an LP of a 1960 Decca recording of Dvorak's New World Symphony re-issued by Speakers Corner in the early 1990s. Istvan Kertez wasan expert at conducting Dvorak, and with the Vienna Philharmonic it pretty muchguarantees this to be an ideal version of this work. On its cover Decca callsthis Dvorak's 5th Symphony, but since then it has beenre-named as the 9th (don't ask). Whatever one calls this work,it hardly matters, as it remains one of Dvorak's best-known works. It is a sonicblockbuster of a recording, made at Vienna's Musikverein, and was a totallyimmersive experience when I played it at 'realistic' levels. Admittedly,the reason it sounded so good through my system was because what I was hearingwas not only the Black Cat cables. This is one of the tricky things aboutreviewing cables. Is one hearing the cable's contribution or something otherthan the cables? Removing and reinstalling the cables as I did a few times withthe previously installed cables, and other brands of cable, too, helped isolatethe contributions of the Black Cat cables, but a good amount of time elapsedbetween changes that I don't think I'd be totally honest if I said my memory ofwhat came before was perfect. Yet, it was obvious that the Black Cat cables hadmany likable sonic traits.

It was also obvious that as usual, I was having agreat time listening to vinyl, and also the reason everything sounded good wasbecause of the analog front-end, the components and the speakers that the cableswere connected to (not to mention all that also had gone into setting up mysystem in my dedicated listening room). There is no question that I was hearingthe benefit of good interconnects and speaker cables in the system, becausecomponents are going to sound their best when they aren't hindered by cablesthat aren't letting every bit of signal pass through them. When playing thisDvorak LP, the Black Cat interconnects and speaker cables let me hear themajesty of the mighty Vienna strings and horns, the marvelous way that theorchestra members think as one, and how this piece was led by an expertconductor. The transparent midrange was a big part of this 'effortlessness' thatI was hearing and that was discussed before, sounding as if each component of mysystem was drawing very close to what I might imagine being connected to eachother with no cable at all. Well, at least no cable that would draw attention toitself and lead me to believe that I wasn't hearing all that I could.

The soundstage of the Black Cat cables was alsovery impressive. One of the qualities of the more expensive cables that theyreplaced was the extremely deep and wide soundstage that was evident on justabout every record I played. I think that hearing this fine soundstage was alsodue to allowing the signal pass through it unabated, that is, the signal that isresponsible for allowing the wide and deep soundstage to develop in the firstplace. I admit that my sonic memory will not allow me to compare the details ofthe width and depth of soundstages-past that I've heard with different cables,but I will say that a fine soundstage existed with the Black Cat cables, andthat alone impressed me. I will attest to hearing some lesser cables in mysystem that stunted the size and extension of the soundstage, and the Black Catcable came nowhere doing that. I was taken aback by the drawn-to-scalesoundstage that came through my speakers when playing the Dvorak LP, as if I washearing a symphony orchestra in miniature, my system becoming a sonic timemachine, bringing me back to Vienna in 1960 when the recording was made.

I also had a good time, to say the least,listening to music on digital throughout the review period, both sourced from mymusic server and by spinning more than a few silver discs played on an OPPOUDP-203 used as a transport. My computer-based music server was connected to theEMM Labs DA2 DAC using a Black Cat DIGIT-USB and the OPPO transport used a BlackCat Digit 75 Mk. II connected to the DAC's coax input. Most memorable was theMiles Davis I spun during the review period. I listened to a DSD file of hisalbum In A Silent Way, where the Black Cat DIGIT-USB cable replaced aFurutech USB cable I've been using for the last few years. Again, it wasimmediately apparent that this cable was more transparent than I was used to,and again, the term 'effortless' came to mind. This surprised me, not onlybecause it took me quite a while to be open to the fact that the USB cable oneuses not only makes a difference but can make a big difference in thesound of one's system.

And so, when using the Black Cat USB cable, Iheard an 'opening up' of the sound, as if the music signal flowed easier thoughthis cable. This is a digital signal, not an audio signal as in an interconnector speaker cable, so perhaps that's why I had a tough time explaining to myselfthat a good USB cable is important to the overall sound quality. I was hearingthe proof because I heard more. More of everything. This was also true of theBlack Cat digital cable that ran between the OPPO transport and EMM Labs DAC.This digital cable replaced a more expensive cable that I was using, and so theBlack Cat digital cable sounded more in line with what I heard with theirinterconnects and speaker cable. I spent hours listening to the discs from thethree CD box set of Miles Davis' The Complete In A Silent Way Sessionsand although there might have been a tad less extension than what I waspreviously accustomed to in the very, very lowest bass frequencies, there wasstill that 'effortlessness' that I've been speaking about throughout thisreview. There was a sonic ease that was definitely audible.. with a digitalcable, no less!

Agree
I agree with the dealers and distributors who suggested toBlack Cat owner and chief engineer Chris Sommovigo that he should somehow find away to manufacture his products to look more like 'giant anaconda-like cables'than the more svelte appearance of his current line of cables so he could chargemore for them. I have enough experience with using different cables in my systemto conclude that, no, the majority of the more expensive cables that aremarketed today are not over-priced, but.. the Black Cat cables arecertainly underpriced. In fact, I think that Black Cat is sellingthemselves short. The only conclusion I can come to is that the only reasonBlack Cat cannot sell their cables for more is because of their appearance.

Black cat systems usb users manual pdf

In the meantime, audiophiles should takeadvantage of this situation, and seriously consider sacrificing the ability todazzle their audiophile friends with cables that are as thick as a garden hosewith flashy external appendages, and instead suffer the humiliation of having toshow them their thinner, more refined looking Black Cat cables. But they can saythat the Black Cat cables have the approval of Enjoy the Music.com SeniorEditor Tom Lyle and they will have the experience of hearing with the many sonicbenefits these Black Cat interconnect, speaker, and digital cables will impartto their systems. Recommended to all.Follow our tweets!

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